Frames is a series exploring the unintended aesthetics of surveillance and lo-fi imaging. The webcam images are sourced through publicly accessible feeds—digital leftovers from a hyperconnected world. They are unstaged, often forgotten, yet at times perfectly composed: a snow-covered lot, an empty waiting room, a stretch of coastline blurred by fog and compression.

These views are shaped by chance, by aging sensors, by artifact-heavy encoding. The result is a strange kind of machine-made photography—impersonal but not without feeling.

Paired with them are close-up shots taken using a modified toy camera. Unlike the webcams, which try to capture the whole scene, the toy camera images lean into proximity, capturing surfaces and textures with a kind of quiet intensity.

Together, these images form a dialogue between distance and intimacy, between anonymous surveillance and deliberate observation. It's a study in accidental framing, machine vision, and the overlooked beauty of degraded digital sight.